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Collecting at the Turn of the Century

 

As we celebrate the efforts of the women featured here, it is also enlightening to consider what kinds of impulses kindled their involvement in collecting and museum work, and what fulfilment they found by engaging in it. Many of our women were working in and around the turn to the twentieth century, an era in which natural history, ethnology, and the study of human evolution enjoyed mounting popularity, while a Victorian passion for collecting and classifying animated the cultural sphere. School teachers stocked classroom cabinets with specimens of plants, animals and minerals for the edification of pupils, and ladies ornamented their homes with objects of beauty, curiosity and international "exoticism." Amateur naturalists, inspired by their grade-school lessons in observation, spurred by their local naturalist organizations and encouraged by the cultural climate, embarked on scientific explorations of local ecosystems. They returned with meticulously labelled specimens, carefully classified so as to demonstrate an order, hierarchy and design that governed all of nature including human interaction. Descendents of United Empire Loyalists cherished their family heirlooms, preserved with nostalgic respect the relics of their predecessors' experience, or turned them over to museums for display and safekeeping. Travellers, tourists and missionaries carried back ethnic "curios" from "mysterious" lands, divorcing those objects from the context in which they were utilized, but intending them to represent those lands and corroborate the travellers' (sometimes moralistic) accounts of foreign peoples.

 

Queens County Historical Society & Museum, Gagetown, N.B., 1997.53.62 (detail)

Snowy owl

Leora Simpson Collection

New Brunswick Museum, Saint John, N.B., 41458

painting: "Andrew James Robertson and Jessie Thomson"

c. 1830

gift of Grace W. Leavitt

New Brunswick Museum, Saint John, N.B., 1958.100

moosecall, 1900-1930

gift of Dr. Louise Manny

Among these collecting agendas explicit or otherwise lay some that were peculiar, but not exclusive, to early-twentieth-century women. Collecting and museum work offered opportunities for scientifically minded women to engage in high-profile cultural and intellectual activities in their communities, thereby offsetting as well as challenging their lack of political rights. Many women combined their museum work with other social welfare projects, all calculated to effect cultural uplift through education and self-improvement. Illustrative moral lessons could be dispensed through the study of divine handiwork and the comparative greatness of Western civilization. As their critical roles as crusaders for social progress bolstered women's public call for political equality, their scientific accomplishments supported their claim on legitimacy in the scholarly sphere, a claim to which society was gradually (if reluctantly) acceding. Women travellers and missionaries overseas paid particular attention to the position of women in other societies, frequently making comparisons between the "plight" of women in non-Western societies and the relative "liberation" enjoyed by their North American sisters. 

 

New Brunswick Museum, Saint John, N.B., 30019

Chinese shoes

gift of Dr. Catherine Travis

New Brunswick Museum, Saint John, N.B., 40954, 7010, 32630, 34690

Japanese dolls

The Loretta L. Shaw Collection

 

Archives and Special Collections, Harriet Irving Library, University of New Brunswick

Loretta Leonard Shaw and three unidentified women

Loretta L. Shaw fonds

By donating traditionally feminine items to museums kitchen implements, clothing accessories, furnishings and handiwork, for example women established the significance of objects that were habitually undervalued. And by contributing at all, women asserted their presence in a very visible and enduring way. Museum acquisitions and events were announced in the local papers, specimens bore the collector's name and a particularly generous gift might earn the donor a commemorative plaque on the museum wall. Such recognition brought women's collections out of the private parlour where they served an ornamental function and into the public realm where they served an educative one. 

 

Women knew that whatever objects they donated to the museum would be protected and preserved for decades to come. When single women like Louise Manny and Catherine Travis died without descendents or strong familial obligations, they bequeathed large portions of their collections to the museum as a public offering and a personal legacy. For the women in these pages, the museum collection was anything but static. Each of them was on hand for the flurry of accumulation that would build the museum; there to create and shape the collection and to give it a voice that was partly their own. 

Sources

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Birkett, Dea. Spinsters Abroad: Victorian Lady Explorers. Oxford: B. Blackwell, 1989.

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Dilworth, Leah (Ed.) Acts of Possession: Collecting in America. New Brunswick, New Jersey: Rutgers University Press, 2003.

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Dolin, Tim. "Cranford and the Victorian Collection." Victorian Studies. 36,2 (1993): 179-206.

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Elsner, John and Roger Cardinal (Eds.) The Cultures of Collecting. Cambridge: Harvard University Press, 1994.

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Gere, Charlotte and Marina Vaizey. Great Women Collectors. London: Philip Wilson Publishers, 1999.

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Hamalian, Leo (Ed.) Ladies on the Loose: Women Travellers of the 18th and 19th Centuries. New York: Dodd, Mead & Company, 1981.

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Karp, Ivan and Steven D. Lavine (Eds.) Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington: Smithsonian Institution Press, 1991.

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Kohlstedt, Sally Gregory. "Nature Study in North America and Australasia, 1890-1945: International Connections and Local Implementations." Historical Records of Australian Science, 11,3 (1996): 439-454.

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Lawson, Barbara. Collected Curios: Missionary Tales from the South Seas. Fontanus Monograph Series. Montreal: McGill University Libraries, 1994.

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McTavish, Lianne. "From Cake to Caribou: The Contributions of Women at the New Brunswick Museum." Unpublished paper presented at the Universities Art Association of Canada Annual Conference, Victoria, B.C. November 10-12, 2005.

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McTavish, Lianne. "Learning to See in New Brunswick, 1862-1929." Canadian Historical Review (in press for December 2006) 12,000 words.

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New Brunswick Journals of the House of the Assembly, Annual Reports on Schools 1900-8.

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Sheets-Pyenson, Susan.Cathedrals of Science: The Development of Colonial Natural History Museums during the Late Nineteenth Century. Kingston and Montreal: McGill-Queen's University Press, 1988.

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Smith, Arthur M. "Missionary as Collector: The Role of the Reverend Joseph Annand." Acadiensis 26,2 (1997): 96-111.