"Fun
Learning":
Group Discussion and Activity Ideas for Teachers
Museums,
Collecting and Representation
Discussion Questions:
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Do
you maintain any collections at home? What exactly is a "collection"? How
similar/different should the items in a collection be in relation to one
other? Must a person acquire a minimum number of objects before the objects can be
considered a collection? Would you consider the clothes in your dresser, or
the cans in your cupboard a collection? Why or why not? Can a
collection ever be
complete? What is the strangest/most
interesting/largest/smallest/oldest
collection you have ever heard of?
Which of your possessions is most valuable to you? What gives an item value to its
owner: relative rarity,
sentimental origin,
beauty, utility, skill of the maker, monetary
value…? Perhaps it is a good example of its kind, completes a set or
collection, or represents an important experience, place, or person. Which of
these qualities are most important or valuable to you? Why?
Do you have an object that you can imagine
giving to a museum someday? What would
be the advantages of keeping that item at a museum (preservation, display,
cultural value…)? What information would you provide when you gave it to the
museum? What would it tell about the person/people who made it? What would it
tell about the person/people who used it? What would your selection tell about
you?
Think about a place you have visited outside
of your home or community:
maybe
another country, a relative's house, a theme park, a pleasant place, an
unpleasant place, a church, a school, a forest… If you could choose only five
objects from that place to symbolize and represent it, what would they be?
What objects might you select that could "capture" the atmosphere or purpose
of the place; its look, smell, or "feel"? How would you exhibit these
objects to someone who had never been to that place? Could
you create an accurate depiction of the place with any only five items (or
with
any number of items)? Could you choose objects that would
give someone a distorted or biased impression of the place you are
representing? Could you intentionally misrepresent your place? How about
unintentionally?
Several of the women in this exhibit donated
dolls from other countries because they
felt that dolls could reveal much about the clothing, styles, and culture of
people in those countries. What might the dolls or action figures available
today reveal about our families, communities or
national culture? Could they provide any hints about what is important or
popular in our society? If someone had never visited our country, could its
toys provide "accurate"
information about it? Why or why not? What about the toys of 100 years ago?
Do you, or does anyone you know, maintain an
"exhibit"?
What would qualify as an exhibit? (Posters on
bedroom walls, pins on a bookbag, stickers, cards in a binder, coins…?) What is
the purpose of the exhibit? Is it fun, interesting, or important to you? What
do you want others to understand or feel when they look at it? Do you have
some objects that are part of a collection but are not on display? Perhaps
they were once on display, but have been placed in storage to make display
room for other objects. Museum collections are like this. Only a
certain proportion of the objects in a museum can be on
display at one time.
Unfortunately, many of the items in museums
do not come with detailed stories, as many donors in the early twentieth
century left fascinating items without explaining
where they came from, who owned them or what they were used for. Fortunately
for us, the objects can "speak" for themselves to some extent. Choose a
familiar and an unfamiliar object. What information can we gather from these
objects just by looking at or feeling them? How could we do further research
to find out more? (Talk to someone who remembers using the objects, find out
from an expert what they are made of or where they were used, look for a
picture of the objects in their context...)
Are there limitations to these research methods?
Describe a person
in your family or community who made a contribution to science, maintained an
interesting collection, or helped to preserve community heritage.
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Activities
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Create a "collection" of objects from the
Internet. Choose a theme or a category of
items
to collect, such as
folksongs or folk stories, jokes, hats, vehicles, animals,
dolls, furniture, international coins… Discuss the limits of your collection:
Will you collect every available example? If not, then what are the
criteria for selection? After establishing the scope of your collection,
search the Web for examples to include. Provide images and brief descriptions
of the items, so that an observer can understand how each object fits into the
collection.
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In the late nineteenth and early twentieth
century, men and women sometimes loaned
their
possessions to the museum for display in a temporary exhibition, rather than
donating them permanently. Create a temporary classroom exhibition using loaned
objects from home – pictures, printed material, toys, appliances, clothes,
decorations or implements (broken items are okay too!) Discuss as a class
what should be the focus, theme, and layout of the exhibition. Visit a museum to
find out what strategies are effective in engaging visitors and protecting the
objects. Answer the following questions before proceeding with the exhibition:
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Who is the target audience?
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Teachers, students of various age groups,
parents, school administrators… |
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What theme(s) will be highlighted?
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Technology, community, fashion, natural
sciences, childhood, popular culture, transportation, families… |
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How will the objects be displayed and
protected? |
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Enclose objects in cases, allow visitors to
handle objects, re-create a period room or nature diorama… |
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Will objects be labelled or will exhibit
"staff" provide verbal information to visitors? If labels are to be used, what
will be
featured: the owner of the item, its origin in time and space, its
physical composition, its maker…? |
You may want to divide into smaller "committees"
to handle
exhibition
logistics. One group could focus on cataloguing and organizing the
objects, another on promotion, and another on exhibition
design and labelling.
Advertise your exhibition
event for a few days in advance, inviting visitors to
view the presentation on a scheduled day. Ask for visitors'
comments as they
leave your "museum."
What did they learn from viewing your exhibition? What did
you learn from preparing it?
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